Original Real Colour Imaging Technology*1
JVC’s original Real Colour Imaging Technology accurately grasps the colour information for precise reproduction. The technology’s colour reproduction ability has improved. With the adoption of a new colour filter, the DLA-X9000 and DLA-X7000 are now capable of covering the DCI*2 colour space. It is now possible to reproduce colours true to the original for exceptionally beautiful 4K images.
Colour Management System with 6-Axis Matrix
A 6-axis matrix of red, green, blue, cyan, magenta, and yellow enables the precise adjustment of hue, saturation, and intensity. Only the colour being adjusted will be shown in colour while the others are grey-toned, making operation more intuitive.
Auto-calibration Function*
Using an optical sensor, precise calibration can be performed in just a few easy steps to match the changes in optical characteristics caused by installation situation of the projector. Auto-Calibration optimises all essential elements found in the image, including colour balance, gamma characteristics, colour space, and colour tracking.
Simulated picture
12-point manual gamma adjustment
Manual gamma adjustment, as requested by users, has been added to the calibration software. In addition to a PC-based adjustment that are reflected to the image in real time, adjustments using optical sensor can also be performed. It also features importing and exporting of gamma data.
Exclusive Software / Commercially Available Optical Sensor
Exclusive JVC software installed on a PC connected to the DLA-X9000, X7000 and X5000 via a LAN connection and optical sensor are required to set viewing configurations and auto calibration.
- Software: Download for free from our corporate website.
- Optical sensor: Please visit the JVC website for the details
Commercially
Available Optical Sensor
Storing calibration data
Customised picture data can be transferred from the projector and stored onto a PC. Picture data can also be uploaded from a PC to the projector via the LAN terminal.
Screen Adjustment Modes*
The projector selects the best mode to match the screen being used for images with natural colour balance*. The modes are compatible with the latest models offered by the world's major screen manufacturers.
Simulated picture
Pixel Adjust Function
The Pixel Adjust function allows users to precisely correct colour deviation in 1/16-pixel increments*.It is also capable of segmenting the entire screen into 121 points and adjusting them individually to realise clearer video without colour deviation. Two settings can be stored in the memory.
* Simulated picture to demonstrate picture enhancement.
121-point adjustment (concept diagram)
Adjustments are made by placing the cursor on a point that needs to be corrected.
Lens Memory Function
This function stores ten* separate lens adjustments for zoom, shift and focus that can be easily recalled when needed. Memory settings can be switched between each setup via the remote controller.
Lens memory examples (when using CinemaScope screen)
JVC's Original Picture Tone Function
The Picture Tone function works to balance gamma, contrast, and brightness settings without affecting the grey scaling of the original source to enable brightness adjustment that better matches the surrounding environment.
* Simulated picture to demonstrate picture enhancement.
Control4 SDDP Compatibility
JVC’s new D-ILA projectors are compatible with Simple Device Discovery Protocol (SDDP) by Control4. When an SDDP-compatible device is added into a Control4 system, it is automatically recognised by the system and automatically adds driver to the projector to enable external control in no time.*
Darkness and lightness correction
Adjustment of grey level, another essential factor for creating high-quality images, can be corrected by separating darkness and lightness levels. By enabling darkness and lightness correction, the desired levels of gradation can be achieved without the tedious gamma correction process of Conventional models.
DLA-X9000/X7000 picture modes and colour profiles
Picture Mode | Colour Profile | ||
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2D Signal Input | 3D Signal Input | Description | |
Film | Film 1 | — | Colour space that is close to the characteristics of Eastman Kodak Company movie films. |
Film 2 | — | Colour space that is close to the characteristics of FUJIFILM Corporation movie films. | |
Film 3 | — | Colour space suitable for digitally remastered piece of art based on a Technicolor film | |
— | 3D Film*1 | Colour space suitable for 3D movies recorded in film | |
Cinema | Cinema 1 | 3D Cinema | Original JVC cinema-specific colour gamut that achieves a balance between increased brightness and colour vividness. |
Cinema 2 | — | Colour space that is close to that of the DCI standard | |
Standard | Standard | Colour space of the HDTV standard.*2 | |
— | 3D Cinema | Colour space suitable for all 3D movies. | |
Animation | Anime 1 | 3D Animation | Colour space that is suitable for CG animation works. Ideal for animated works with bright colours. |
Anime 2 | — | Colour space that is suitable for cel animation works. Ideal for animated works with light colours. | |
Standard | Standard | Colour space of the HDTV standard.*2 | |
— | 3D Animation | Colour space suitable for 3D animation works. | |
Natural | Video | 3D Video | Colour space that is suitable for drama footage, etc. making use of the increased brightness. |
Standard | Standard | Colour space of the HDTV standard.*2 | |
Reference | — | Colour space that faithfully reproduces the video as is. | |
— | 3D Video | Colour space suitable for 3D video materials. | |
THX | THX*3 | 3D THX*3 | Colour space of the THX standard. |
User 1 to User 6 | Standard | When "Picture Mode" is set to any of the settings from "User 1" to "User 6", you can select one of the "Colour Profile" shown on the left.
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Cinema 1 | |||
Cinema 2 | |||
Anime 1 | |||
Anime 2 | |||
Video | |||
Reference | |||
3D Cinema | |||
3D Video | |||
3D Animation | |||
x.v.Colour*4*5 | Colour space of the x.v.Colour standard. | ||
Off | Disables colour space adjustment. | ||
Custom 1 to Custom 6 | Saves the auto calibration values.
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DLA-X5000 picture modes and colour profiles
Picture Mode | Colour Profile | ||
---|---|---|---|
2D Signal Input | 3D Signal Input | Description | |
Cinema | Cinema | — | Colour space suitable for all movies. |
Standard | Standard | Colour space of the HDTV standard.*1 | |
— | 3D Cinema | Colour space suitable for all 3D movies. | |
Animation | Animation | — | Colour space that is suitable for animated works. |
Standard | Standard | Colour space of the HDTV standard.*1 | |
— | 3D Animation | Colour space suitable for 3D animation works. | |
Natural | Video | — | Colour space that is suitable for drama footage, etc. |
Standard | Standard | Colour space of the HDTV standard.*1 | |
— | 3D Video | Colour space suitable for 3D broadcasts. | |
User 1 to User 6 | Standard | When "Picture Mode" is set to any of the settings from "User 1" to "User 6", you can select one of the "Colour Profile" shown on the left.
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|
Cinema | |||
Video | |||
Animation | |||
3D Cinema | |||
3D Video | |||
3D Animation | |||
x.v.Colour*2*3 | Colour space that is close to that of the x.v.Colour standard. | ||
Off | Disables colour space adjustment. | ||
Custom 1 to Custom 6 | Saves the auto calibration values.
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